Archives de l’auteur : Derek Ho

© Stephan Walzl

Men and Women : Allan Pettersson’s Symphony No. 6 in ballet form

Men and Women by Antoine Jully, chief choreographer of the Oldenburg ballet, on Allan Pettersson's Symphony n°6 expresses a wide range of emotions between the genders. Jully's reflection of the composer's expressive world is impressive.  On the very surface, there does not seem to be much subtlety in Allan Pettersson or his music. Despite the music's highly expressive and emotional landscape and the composer's own colorful statements about himself and his world, for some listeners ...
© Stephan Walzl

Men and Women : la Symphonie n° 6 d’Allan Pettersson mise en ballet

Avec Men and Women sur la Symphonie n° 6 d'Allan Pettersson, Antoine Jully, le chef-chorégraphe français du Ballet d'Oldenburg, exprime de manière impressionnante un large spectre d'émotions sur les relations entre les genres.   À première vue, Allan Pettersson ou sa musique ne donnent pas dans la nuance. Malgré le paysage hautement expressif et émotionnel de cette musique et les déclarations hautes en couleurs du compositeur sur lui-même et son univers, pour certains ...
Kostas Smoriginas, credit Monika Penkutė

Shostakovich’s Symphony No. 13 at Prague Spring

The Prague Philharmonic and Kühn choirs just might have stolen the show with their power, clear diction, and their ability to conjure up countless shades of color. There are certainly many approaches to putting together a program of orchestral music. Are the works selected based on a common theme or source of inspiration? From a common historical era? Or do the works greatly contrast from each other, giving the audience the ...
Sakari Oramo

Sakari Oramo in Elgar’s Symphony No. 2

Sakari Oramo did not hesitate in bringing Elgar's unabashedly passionate and emotional elements to the fore.  During his tenure as principal conductor of the Royal Stockholm Philharmonic Orchestra (RSPO), Sakari Oramo has devoted considerable attention to the music of Anders Hillborg and Edward Elgar. In this evening’s performance, Oramo took the podium in front of his former band to showcase these composers. Hillborg’s Beast Sampler refers to the composer’s description of the ...
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Tout est clair avec Christian Lindberg dans la 14e d’Allan Pettersson

Cette nouvelle livraison de la série des symphonies d'Allan Pettersson par Christian Lindberg impressionne encore une fois par la fidélité fanatique à la partition et l'attention obsessionnelle aux détails. Lentement mais sûrement, Christian Lindberg et l'extraordinairement dévoué Orchestre symphonique de Norrköping (SON) se rapprochent de l'achèvement par le label Bis de l'un des grands cycles symphoniques du XXe siècle, celui d'Allan Pettersson. Bien que la musique de Pettersson soit incontestablement exigeante pour ...
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Broadly : Kent Nagano in Bruckner’s Symphony No. 8

Nagano's performance of Bruckner's Symphony No. 8, while abundant in individual highlights, was not quite a fully convincing interpretation of this massive work. Anton Bruckner is arguably the perfect example of a composer whose music does not simply "play itself." Bruckner's symphonies are unhurried, majestic, imposing, and, of course, fervently religious. Only an interpreter who has considered these aspects carefully can successfully transform these lengthy works from seemingly protracted to transcendent. Against this backdrop, ...
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Exploring the depths : Osmo Vänskä in Sibelius’ Symphony No. 4

Osmo Vänskä is unrivaled in his ability (and willingness) to explore the deepest depths of Sibelius' Symphony No. 4.  Osmo Vänskä earned himself and his former band (the Lahti Symphony Orchestra) international recognition with his series of Sibelius and Kalevi Aho recordings. Authoritative performances of these two composers was expected from this evening's performance, and Vänskä and the Helsinki Philharmonic Orchestra did not disappoint. The program opened with one of the Estonian composer Arvo ...
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Truls Mørk’s noble Schelomo with the Helsinki Philharmonic

Truls Mørk brought nobility to Schelomo's lamenting qualities. The current, inaugural season of Susanna Mälkki's tenure as music director of the Helsinki Philharmonic Orchestra (HKO) is focused considerably on 20th-century French orchestral music, which has allowed both orchestra and conductor to develop and explore the unique sound palette of this repertoire. This evening's concert continued this trend, presenting colorful works from both the 20th and 21st centuries, from France and from elsewhere. Leevi Madetoja was ...
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Herbert Blomstedt in Sibelius and Beethoven

This was undoubtedly one of the great performances of Sibelius' Symphony No. 4. Herbert Blomstedt is approaching his 90th birthday and is showing no signs of slowing down. A quick look at his busy conducting schedule shows a deep commitment to the Austro-Germanic and Scandinavian repertoire, so expectations were naturally high in this evening's program of Sibelius and Beethoven. The program opened with the darkly introverted Symphony No. 4 by Sibelius. Based on this evening's account, ...
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Everything in clear focus: Christian Lindberg in Allan Pettersson’s Symphony No. 14

This new release in the series of Allan Pettersson's symphonies by Christian Lindberg impresses once again by fanatical fidelity to the score and obsessive attention to detail. Slowly but surely, Christian Lindberg and the extraordinarily dedicated Norrköping Symphony Orchestra (SON) are nearing the finish line of one of the great 20th century symphony cycles: the complete symphonies of Allan Pettersson. While the music of Pettersson is unquestionably demanding on performers and listeners alike, ...
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Details and the big picture: Christian Lindberg in Pettersson’s Symphony No. 5

In Petterson’s Symphony No. 5, Lindberg shaped and controlled the latent tension so effectively that the music felt deeply oppressive, almost suffocating in its intensity. Patience is definitely a virtue with regards to the Allan Pettersson symphony project on the record label BIS. This project began in the early 1990s with the Norrköping Symphony Orchestra (SON) under the direction of Leif Segerstam but was left incomplete. Following a long hiatus, the ...
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Susanna Mälkki and the Helsinki Philharmonic in Mahler’s Symphony No. 6

Throughout the first movement of Mahler's Symphony No. 6, careful attention was given to accents, articulations, and dynamics, along with a clear focus on orchestrational detail. Susanna Mälkki's recent performances with her new band, the Helsinki Philharmonic Orchestra, have generally presented a mix of the old and the new. While Mälkki might have a bit of a reputation as a new music specialist, she is equally at home in the great ...
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All-British with the Tapiola Sinfonietta and Janne Nisonen

After Sakari Oramo, Janne Nisonen could very well be the next great Finnish interpreter of British music.  Orchestral programs dedicated entirely to British music are rare in the Helsinki region, so this evening's concert of Adès, Britten, and Vaughan Williams likely gave many listeners the chance to explore this music for the first time. The program opened with Thomas Adès Three Studies from Couperin, a set of orchestrations of selected Couperin harpsichord works. ...

Focus on Shakespeare : The Tempest by Osmo Vänskä in Helsinki

The performance  of The Tempest by Osmo Vänskä and the Finnish Radio Symphony Orchestra was a true celebration of some of Sibelius' most forward-looking music. The work of Shakespeare and his influence on the arts has received intense attention this year, the 400th anniversary of his death. On this evening's program, Osmo Vänskä and the Finnish Radio Symphony Orchestra presented two musical perspectives on Shakespeare by Finnish composers of the past and ...
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Death and Transcendencev : Robert Spano and the Helsinki Philharmonic Orchestra

Robert Spano led a taut and disciplined performance of Rachmaninoff's Isle of the Dead.  The subjects of death and the beyond have certainly fascinated many artists, both past and present. Among composers, one famous example would of course be Richard Strauss' Tod und Verklärung. In this evening's program, the American conductor Robert Spano led the Helsinki Philharmonic Orchestra in two Russian, romantic-era perspectives on death, concluding with Messiaen's transcendent L'ascension. Rachmaninoff's The ...
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Christian Lindberg engagé et en confiance pour la 7e de Pettersson

Sous la direction de Christian Lindberg, la massive Symphonie n°7 d'Allan Pettersson semblait former une arche ininterrompue. Le concert voyait également la création mondiale de la Symphonie n°17, 36 ans après sa composition. Au cours de ces dernières années, Christian Lindberg et l'Orchestre symphonique de Norrköping (SON) ont enregistré, interprété et promu sans relâche la musique d'Allan Pettersson, sans doute le plus grand symphoniste suédois. Dans le programme de ce soir, ...
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Commitment and confidence: Lindberg and Pettersson’s Symphony No. 7

Under Lindberg's direction, Pettersson's massive Symphony No. 7 seemed like a single, unbroken arch. This perfomance also featured the world premiere of the unfinished Symphony n°17, 36 years after its composition. In recent years, Christian Lindberg and the Norrköping Symphony Orchestra (SON) have been tirelessly promoting, recording, and performing the music of Allan Pettersson, arguably Sweden's greatest composer of symphonies. In this evening's program, Lindberg and the SON presented one of Pettersson's most ...
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Sir Mark Elder in Britten and Shostakovich

Elder's performance of Britten's Sinfonia da Requiem could become a reference. There may not be many obvious stylistic similarities between the orchestral works of Benjamin Britten and Dmitri Shostakovich. Nevertheless, both composers sought to communicate immediately and directly with their audiences, while adhering to traditional concepts such as harmony, rhythm, and the symphony as a form. In this evening's program, Sir Mark Elder succinctly described these particular qualities in his opening remarks, before ...
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The Estonian National Symphony celebrates Gubaidulina

The Estonian National Symphony Orchestra performed two major works by Sofia Gubaidulina, in honor of the composer's 85th birthday. In the year 2016, Sofia Gubaidulina, one of the world’s greatest living composers, will celebrate her 85th birthday. In recognition of this occasion, the Estonian National Symphony Orchestra (ENSO) performed two of the composer’s recent large-scale works, including the world premiere of her oratorio Über Liebe und Hass (On love and hatred). ...
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Susanna Mälkki’s opening concert as Music Director of the Helsinki Philharmonic

Perhaps the most memorable part of this evening was the palpable sense of joy that was radiating from the stage. Readers of my reviews from Susanna Mälkki’s recent concerts with the Helsinki Philharmonic Orchestra (HPO) have probably noticed that I have not I been shy in my praise of her performances. Before getting into the details, I will say right now that this evening’s concert, Mälkki’s first as Music Director of the ...
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Salonen brings Chéreau’s Elektra to Helsinki

Soprano Evelyn Herlitzius brought the necessary vocal agility and endurance to this impossibly demanding role. Opera lovers in Finland have been eagerly waiting for Esa-Pekka Salonen to bring Patrice Chéreau's now famous production of Strauss' Elektra to the Helsinki. This current run of Elektra performances marks the first project for Salonen under his newly appointed position as Artist in Association of the Finnish National Opera and Ballet (FNOB). A soprano of near super-human ability is required for the ...
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Susanna Mälkki conducts the Helsinki Philharmonic in Sibelius and Prokofiev

Susanna Mälkki's recent programs with her future band, the Helsinki Philharmonic, have featured healthy portions of standard repertory. This is probably reassuring to the segment of the audience that might be apprehensive of Mälkki's reputation as a new-music specialist. Tonight's program of warhorses by two well-known composers not only demonstrated that Mälkki embraces the standard repertory, but also has something unique to say about it. The program opened with a Sibelius rarity, ...
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Olari Elts conducts Ravel and Tüür

Frank Braley's performance was completely natural, effortless, and thoroughly integrated with both his musical and pianistic philosophy. The music of the Estonian composer Erkki-Sven Tüür is often performed in Helsinki, largely due to the regular podium presence of his compatriot Olari Elts. This evening's program featured Tüür's Symphony No. 8, coupled with works from Ravel. The program opened with Ravel’s Ma mère l’Oye. Right from the start one could appreciate the clarity of ...
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Christian Lindberg brings Pettersson to Antwerp

The Royal Flemish Philharmonic brought a palpable sense of commitment and confidence to Petterson’s music. In recent seasons Christian Lindberg has enjoyed a regular and fruitful collaboration with the Royal Flemish Philharmonic (RFP). Based on the results of this evening’s performance of two rarities and a warhorse, it is clear that deep sense of mutual trust and respect has developed between Lindberg and the orchestra. The first Swedish work on this ...
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Mikko Franck at home in Rautavaara, Prokofiev, and Debussy

I cannot imagine a better, more definitive performance of this music. Despite Mikko Franck's presence in the Helsinki music scene as both artistic and general director of the Finnish National Opera until 2013, in recent years he has been conspicuously absent from the podium of the main Helsinki orchestras. Based on this evening's performance, one certainly hopes that Franck will come back very soon. While I admit that my knowledge of Rautavaara's ...
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James Feddeck, conductor

"There is no replacement for reaching out and taking time to create lifelong connections to the arts." Winner of the Sir Georg Solti Conducting Award in 2013, James Feddeck has held the posts of Assistant Conductor of the Cleveland Orchestra and Music Director of the Cleveland Orchestra Youth Orchestra. In this interview, Feddeck discusses his broad musical background, guest conducting on short notice, and this thoughts for reinvigorating classical music audiences. ...
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Happy 150th birthday, Jean Sibelius!

Without a doubt, this was one of the great En Saga performances.  It has certainly been a busy year for Finland’s favorite musical son. Although Sibelius’ is a regular fixture in the Finnish musical scene, this year has seen Sibelius-admiration taken to the next level (and beyond). Numerous complete symphony cycles, several competitions, books, a new documentary series, examinations of obscure works, seminars, museum exhibitions, you name it--if it has to do ...
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Finnish Independence Day Concert, edition 2015

Under Lintu's direction, the Finnish RSO played with their usual discipline and attention to detail. The annual Finnish Independence Day concert in the Helsinki Music Center is one of the major highlights of the Helsinki orchestral season. Every year, Helsinki audiences are treated to a "tasting menu" of Finnish orchestral music, featuring combinations of both new and old as well as familiar and unfamiliar. This year's concert showcased three generations of ...
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Le Projet Allan Pettersson continue avec la Symphonie 14

Jouer la musique d'Allan Pettersson à la fois avec passion et conviction est vraiment une réussite majeure, et l'Orchestre symphonique de Norrköping sous la direction de Lindberg y parvient encore une fois. On pourrait faire valoir qu'il existe d'innombrables compositeurs dans l'univers de la musique classique qui ont été injustement négligés. Les raisons en sont nombreuses : le compositeur est trop étrange, la musique est trop difficile à jouer, trop difficile à diriger, ...
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The Pettersson project continues: Christian Lindberg and the Norrköping Symphony

To play this music both passionately and convincingly is truly a massive achievement, and the Norrköping band under Lindberg’s direction have done it yet again. One could argue that there are countless composers in the classical music universe who have been unjustly neglected. The reasons for this are many; the composer is too unfamiliar, the music is too difficult to play, too difficult to conduct, or too difficult for the audience ...