banclefsdor2017

Dance

THE OLD WOMAN

Mikhail Baryshnikov’s new life as an actor

Robert Wilson’s new show involves extraordinary acting parts for both Mikhail Baryshnikov and Willem Dafoe, in a stage version of a Russian novel by Daniil Kharms. The Old Woman becomes a two-part/two-voice text, performed by the two narrator-actors, in Russian (his mother tongue) for Baryshnikov, and in English for Dafoe. For an hour and a half, the two white-faced clowns chosen by Wilson perform in a wide gamut of styles ...
Photo: ©Julieta Cervantes

Trisha Brown’s Living Repertoire in Paris

The Trisha Brown Dance Company devoted its first night in Paris to a focus on cinema, beginning with For M.G.: The Movie, a 1991 tribute to Michel Guy, Secretary of State for Culture and head of the Festival d’Automne. On a richly evocative soundtrack (featuring the sounds of a roaring engine, a freighter ready to leave port, and Indians in a trance state, among other things), the dancers move with ...
Ballet Preljocaj  Les Nuits (c) JC Carbonne

Angelin Preljocaj’s Oriental Nights

In his new ballet, Les Nuits (The Nights), Angelin Preljocaj presents a fantasised erotic vision of the Orient. Inspired by the One Thousand and One Nights, this show is a commission from Marseille–Provence 2013, the European Capital of Culture. It was premiered on May 29 at the Grand Théâtre de Provence in Aix, and it has come for the first time to Paris, which is the first stop on a ...
Don-Quichotte-003@PatrickBerger-362x241

Don Quixote rejuvenated

José Montalvo is back as a full-fledged choreographer now that he has left his job as director of the Théâtre de Chaillot and his “partner” Dominique Hervieu. His latest creation, a refreshing, daring vision of Don Quixote of la Mancha, after a ballet by Ludwig Minkus, originally choreographed by Marius Petipa, proves it. Montalvo had the smart idea to choose Patrice Thibaud as Don Quixote, the penniless hidalgo who fights against ...
Schonebaum

In Montpellier, a tribute to Elliott Carter

When Jean-Paul Scarpitta decided to produce at the Corum of Montpellier the French premiere of What Next? by Elliott Carter, the only work by the American composer for the stage, and for only two performances, he could not guess he was about to give the best tribute to the American composer, who died on 5th November at 103 years old. The condensed format of this chamber opera (45 minutes) called for ...
 

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