tous les dossiers(1)

On Stage

canizares 1- photo Marc Roger

Folle Journée in Nantes : the exquisite hour of French and Spanish music

This year, the theme was “L’heure exquise,” celebrating French and Spanish music from 1850 to the present. In that context, a great tribute was paid to the golden era of French music from the 1870s through the 1940s. Along with the most famous composers, such as Debussy, Ravel, Bizet, Albéniz, Falla, and Messiaen, the audience was given the opportunity to discover composers who until now have remained very little known, ...
Gergiev_Pleyel_3

Gergiev kicks off the complete Shostakovich’s symphonies in Paris

Valery Gergiev has returned to the marathon concert format that he first put together for the 2010-2011 season—back then it was for Mahler's complete orchestral works— this time with a series of all of Shostakovitch's concertos and symphonies over two seasons and eight concerts. The first two of those consisted of the alpha and omega of the symphonic corpus, with, sandwiched in between, the Piano Concerto no. 2 on the ...
louis langrée 2012

Louis Langrée conducts the Berlin Philharmonic

For any conductor, being invited by the Berlin Philharmonic Orchestra for a concert in its own hall, in a subscription concert is always a feat which made you part for to an exclusive club, a Champion’s League, so to speak. If French conductors have always been highly on demand abroad (while they struggle to find adequate positions in their home country) few have made it to the podium of this ...
Don-Quichotte-003@PatrickBerger-362x241

Don Quixote rejuvenated

José Montalvo is back as a full-fledged choreographer now that he has left his job as director of the Théâtre de Chaillot and his “partner” Dominique Hervieu. His latest creation, a refreshing, daring vision of Don Quixote of la Mancha, after a ballet by Ludwig Minkus, originally choreographed by Marius Petipa, proves it. Montalvo had the smart idea to choose Patrice Thibaud as Don Quixote, the penniless hidalgo who fights against ...
Jansons-Mariss-Q4-redim-362x241

Mariss Jansons makes the Turangalîla-Symphonie his own

If there was ever a concert distinguished by the originality of its program and the quality of its interpreters, it was surely this one. It featured the vast, if not overwhelming, Olivier Messiaen’s symphony played by a Bavarian orchestra with Wagnerian sonorities rather than the typically French style of the composer, under the baton of a first-class conductor whose vision of Messiaen's work could only sharpen music lovers' curiosity. Right from ...
Schonebaum

In Montpellier, a tribute to Elliott Carter

When Jean-Paul Scarpitta decided to produce at the Corum of Montpellier the French premiere of What Next? by Elliott Carter, the only work by the American composer for the stage, and for only two performances, he could not guess he was about to give the best tribute to the American composer, who died on 5th November at 103 years old. The condensed format of this chamber opera (45 minutes) called for ...
Anna Caterina Antonacci et Nikolai Schukoff  © Charles Duprat/Opéra national

A disappointing Carmen at the Paris Opera

Carmen last production at the Paris Opera dates back to 1997 (performed until 2002), which explains the high expectations for this new production entrusted to the (mostly theater) director Yves Beaunesne. Sold out until the end of 2012, this opera by Bizet is shown in the version with dialogues; the libretto having nevertheless been adapted by the playwright Marion Bernède. In a unique and quite colorless set (a warehouse), Yves Beaunesne chose ...
 

tous les dossiers(1)