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On Stage


Don Quixote rejuvenated

José Montalvo is back as a full-fledged choreographer now that he has left his job as director of the Théâtre de Chaillot and his “partner” Dominique Hervieu. His latest creation, a refreshing, daring vision of Don Quixote of la Mancha, after a ballet by Ludwig Minkus, originally choreographed by Marius Petipa, proves it. Montalvo had the smart idea to choose Patrice Thibaud as Don Quixote, the penniless hidalgo who fights against ...

Mariss Jansons makes the Turangalîla-Symphonie his own

If there was ever a concert distinguished by the originality of its program and the quality of its interpreters, it was surely this one. It featured the vast, if not overwhelming, Olivier Messiaen’s symphony played by a Bavarian orchestra with Wagnerian sonorities rather than the typically French style of the composer, under the baton of a first-class conductor whose vision of Messiaen's work could only sharpen music lovers' curiosity. Right from ...

In Montpellier, a tribute to Elliott Carter

When Jean-Paul Scarpitta decided to produce at the Corum of Montpellier the French premiere of What Next? by Elliott Carter, the only work by the American composer for the stage, and for only two performances, he could not guess he was about to give the best tribute to the American composer, who died on 5th November at 103 years old. The condensed format of this chamber opera (45 minutes) called for ...
Anna Caterina Antonacci et Nikolai Schukoff  © Charles Duprat/Opéra national

A disappointing Carmen at the Paris Opera

Carmen last production at the Paris Opera dates back to 1997 (performed until 2002), which explains the high expectations for this new production entrusted to the (mostly theater) director Yves Beaunesne. Sold out until the end of 2012, this opera by Bizet is shown in the version with dialogues; the libretto having nevertheless been adapted by the playwright Marion Bernède. In a unique and quite colorless set (a warehouse), Yves Beaunesne chose ...